Blerg…so I’ve gotten waaay behind on this blog. In my defense, I’ve been hard at work on Macbeth and all things Midsommer Flight. But even so, it has been a while, and I’m overdue to catch up.
Since my last post, I’ve seen quite a few shows around town. BALM IN GILEAD at Griffin, TIGER AT THE GATES at Promethean, TRAVESTIES at Remy Bumppo, ANNA IN THE AFTERLIFE at Polarity, BEAST ON THE MOON at Raven, and A MIDSUMMER NIGHT’S DREAM at Two Pence. Of course, there are also quite a few others that I wanted to see but just didn’t make it before they closed. Anyway, I couldn’t begin to discuss all of these shows without spending the rest of the afternoon on this blog post, so suffice it to say I enjoyed all of them for different reasons. Some were truly inspiring; many included excellent work by friends and colleagues; all were thought-provoking in their own ways.
I’ve also been deeply entrenched in rehearsals for Macbeth in the parks. I am getting really excited for this one. It just feels like a dream team this year: the cast is strong from top to bottom; the fight director, vocal coach and assistant director are bringing so much to our rehearsal process; I can’t wait to see the costumes from our designer next week. Yes, next week! We go into tech (a bit of a misnomer since this show doesn’t have much tech) next week and open in less than two weeks.
It’s been an interesting challenge working on such a dark play when we are performing in a park setting. There are definitely some choices I’ve made that are specific to this setting, that I would be doing differently if we were presenting the show in a black box. There’s just not as much room for subtlety when we’re working outside and need to be heard across the length of a football field. But we are still making choices that are rooted in the text, and these actors are just killing it. I can’t wait to open this one and share their work with the world.
Also, it finally feels like summer outside, so I’m excited to relax and enjoy it a little after the show opens. Then again, who am I kidding? Every time I think I’ll have a break, something else comes up to keep me busy. Not that I’d have it any other way, I suppose, when it’s all good stuff!
It was another busy month in February!
I had a great time working on Adam Webster’s short play NOTHING TO FEAR for RhinoFest, which included a chance to meet a bunch of great people and work with some new-to-me actors.
It was great fun to check out Promethean Theatre Ensemble’s short run of An Evening of Shakespeare: Lonely Hearts and Twisted Love at the Red Lion Lincoln Square. An Evening of Shakespeare (“EoS”) has become a wonderful annual tradition for Promethean over the years, and this year’s installment delivered great scene work in an intimate setting, with some well-known familiar scenes mixed in with others that aren’t performed as frequently.
Next up, I’m directing a night of the side project’s upcoming HOME: A Festival of Storytelling III, a three-week festival featuring the work of about 30 storytellers and 10 directors. Details are on my Upcoming page. I’ll be working with three stories/storytellers for the March 29 performance, starting with a 5-minute story from Evelyn Keolian and a 10-minute story from Jack Schultz, both of whom are new to the storytelling scene. Then we’ll round out the evening with a 15-minute shared piece from veteran storyteller Don Hall (of The Moth and more) and poet Dana Jerman. It’s shaping up to be a very cool evening, and I’m excited to work with Evelyn, Jack, Don, and Dana.
Also in March (next week, in fact!), I’ll be teaching a pair of Shakespeare Audition Workshops for Midsommer Flight, one focused on Monologues and the other on Cold Reading. I’m so excited to get back to teaching. There’s still time to sign up if you’re interested – the workshops are a great value (they work out to only $12.50 an hour and include a ton of personalized instruction) and they should be a lot of fun.
Being this busy can feel a little overwhelming, but I’m having fun with all of these projects and I’m lucky to have them on my plate. Happy March!
Hey look! Mary Shen Barnidge at the Windy City Times included my production of Rosencrantz and Guildenstern are Dead at Promethean Theatre Ensemble in her 2014 Chicago theatre highlights. Check out the article, Smart Moments in Theatre in 2014.
Congrats to the entire cast and crew!